Dr. LAYADE, ATINUKE ADENIKE (PROFESSOR)

Email: idamoyiboaa@delsu.edu.ng

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• Area of Specialization: Composition, Genre Studies and Dance
• Department of Music


• Prof. Layade Atinuke Adenike formally known as Dr Mrs Idamoyibo Atinuke Adenike is a Professor at the Department of Music, Delta State University, Abraka. She Specializes in composition, genre studies and dance. She is a member of ICTM, PASMAE, ISOLA and ANIM among others. She has published about 50 articles in National & International Journals. She has also published four books (2 Piano books, 1 Orchestral book and 1 voice with piano accompaniment book. She has attended many conferences. She is an Alumni of Obafemi Awolowo University Ile- Ife, Osun State Nigeria and the University of Ibadan, Oyo State, Nigeria. She is currently the national Vice President of the Association of Nigerian Musicologists (ANIM).

My Publications
1. Layade, Atinuke Adenike (2020) Music Therapy as Psychological Comfort in Healing of Persons with Mental Disorders at Healing Homes in Yoruba Land, Emerging Issues in African Music/ Kenya Utafili Foundation
   Vol. Pages: 25-45
   
   
2. Layade, Atinuke Adenike (2019) Arts Music and National Identity: The Foundation for National Orientation and Development, Humanities, Security and Social Media/Faculty of Humanities, OAU, Ile-Ife/ Ibadan Bookmind publishers.
     Vol.  Pages: 194-209
   
   
3. Layade, Atinuke Adenike (2019) Ethnomusicological Enquiry into Contemporary Indigenously Inclined Ijala Music in Yoruba Land , British Journal of Education/European Centre for Research, Training and Development
   Vol.7: 7 Pages: 46-61
   
   
4. Layade, Atinuke Adenike (2019) The Contemporary Hunter's Genre from the Perspective of Modern Artistes, British Journal of Education
   Vol.7: 7 Pages: 76-88
   
   
5. Idamoyibo, Atinuke Adenike and Akuno, Emily Achieng (2019) Systematic Instruction for Musical Arts Education towards Skill Development and Cultural Growth , Music Education in Africa: Concept, Process and Practice/ London Routledge
   https://www.routledge.com Vol.  Pages: 249-261
   
   
6. Layade, Atinuke Adenike (2019) Reposition of African Music: Traditional Music in Orchestra Role, Reposition of African Music: Traditional Music in Orchestra Role/ University of Ife Press
   Vol. Pages: 1-75
   
   
7. Layade, Atinuke Adenike (2019) Music and its Existential Realities: The Wedlock of Voice and Piano, Music and its Existential Realities: The Wedlock of Voice and Piano/University of Ife Press
   Vol. Pages: 1-75
   
   
8. Layade, Atinuke Adenike (2018) Digital Analysis of Yoruba Indigenous Drum Music, A Festschrift for Samuel Olufemi Adedeji/ Association of Nigerian Musicologists
   Vol. Pages: 54-62
   
   
9. Layade, Atinuke Adenike (2018) Mutual Connection of Music to Poverty and the Increasing Revitalized Possibilities for a Disconnection, Poverty and the Humanities/ Faculty of Humanities, OAU, Ile-Ife/Ibadan: Bookmind Publishers
     Vol.  Pages: 65-87
   
   
10. Layade, Atinuke Adenike (2018) Language Technology and the Structural Poetic Sound Patterns of Ijala Chant, Otukpa/ Faculty of Humanities and Social Sciences, Federal University, Othuoke
      Vol.1:1 Pages: 289-304
    
    
11. Layade, Atinuke Adenike (2018) Gender Discourse in the Ensemble Organisation of Bisi Adunbarin-Keji: A Female Gospel Artiste, Journal of the Association of Nigerian Musicologists (JANIM) /Association of Nigerian Musicologists
    https://africaneditors.org. Vol.12 Pages: 302-324
    
    
12. Layade, Atinuke Adenike (2017) Dance and New Media: The Strategies of Re-creative Process in Genre Studies , Nigerian Journal of Oral Literature/Nigerian Association of Oral Literature
    https://liardpub.org Vol.4 Pages: 73-93
    
    
13. Layade, Atinuke Adenike (2017) Dan Agu's Views on Selected Elements of African Music and Drumming, A Festschrift for Daniel Chikpezie Christian Agu/ Association of Nigerian Musicologists
    Vol. Pages: 322-327
    
    
14. Idamoyibo, Atinuke Adenike (2017) Institutionalization of Esa Song/Chant Genre in Christian Worship for Analytical Studies in DELSU, The Pan African Journal of Musical Arts Education/ Kenya: The Pan African Society for Musical Arts Education
    Vol.2:1 Pages: 1-14
    
    
15. Idamoyibo, Atinuke Adenike (2017) The Impact of Dundun Drummers on the Development of Traditional Music in South West Nigeria, African Musicology Online/Kenya: Association of African Musicologists
    https://africanmusicology.online Vol.7:1 Pages: 1-19
    
    
16. Layade, Atinuke Adenike (2016) Reconstructing Saworo, an Indigenous Folk Tune for the Piano, Abraka Humanities Review/Faculty of Arts, DELSU, Abraka
    Vol.7:1 Pages: 85-94
    
    
17. Idamoyibo, Atinuke Adenike (2016) Indigenous Music in New Role, Nordic Journal of African Studies/Barcelona: Nordic Association of African Studies
    http://www.ub.ed Vol. Pages: 329-348
    
    
18. Idamoyibo, Atinuke Adenike (2014) The Media, the Reconstruction of Drumming, and the Tradition of the Dundun and the Bata Ensembles of the Yoruba of South Western Nigeria, Tydskrif Vir Letterkundi/South African Oral Literature Association
    https://scanr.enseignementsup-rec... Vol.51:1 Pages: 132-141
    
    
19. Idamoyibo, Atinuke Adenike (2014) The Primacy of Rhythm in Indigenous Yoruba Music, Journal of the Association of Nigerian Musicologists (JANIM) /Association of Nigerian Musicologists
    https://africaneditors.org. Vol.8 Pages: 99-114
    
    
20. Idamoyibo, Atinuke Adenike (2014) Indigenous Knowledge Systems and the Challenges of the Fusion of Two Foreign Musical Cultures in Ara Eni a Piano Duet in African Pianistic Style, Abraka Humanities Review/Faculty of Arts, DELSU, Abraka
    Vol.6:1 Pages: 43-56
    
    
21. Idamoyibo, Atinuke Adenike (2014) Mama Mosunmola Omibiyi-Obidike: A Woman of a Sterling Relevance in Contemporary Music Studies in Nigeria , African Musicology: Past, Present and Future/ Association of Nigerian Musicologists
    Vol. Pages: 75-84
    
    
22. Idamoyibo, Atinuke Adenike (2014) Music and the Envisioned Destiny: A Collection of Piano Works, Music and the Envisioned Destiny: A Collection of Piano Works/ Stirling Horden Publishers Nig. Ltd.
    Vol. Pages: 1-57
    
    
23. Idamoyibo, Atinuke Adenike (2013) Music in its Absolute Purity: A Collection of the Piano Works of Atinuke Adenike Idamoyibo, Music in its Absolute Purity: A Collection of the Piano Works of Atinuke Adenike Idamoyibo/ Stirling Horden Publishers Nig. Ltd
    Vol. Pages: 1-45
    
    
24. Idamoyibo, Atinuke Adenike (2013) The Training and Performance Practice of Yoruba Traditional Drummers, Journal of the Association of Nigerian Musicologists (JANIM) /Association of Nigerian Musicologists
    https://africaneditors.org. Vol.7 Pages: 182-188
    
    
25. Idamoyibo, Atinuke Adenike (2013) Music an Assurance of God's Divine Security in Times of Tragedy, Abraka Humanities Review/Faculty of Arts, DELSU, Abraka
    Vol.5:1 Pages: 45-58
    
    
26. Idamoyibo, Atinuke Adenike (2013) The Systematic Development of Ijala Genre: The Significance of its Function and Substance in Contemporary Usage, Orafrica/ Barcelona: CEIBA Ediciones Centre Culturales Espanoles
    www.Orafrica.com Vol.9 Pages: 133-154
    
    
27. Idamoyibo, Atinuke Adenike (2012) Technical Media and Contemporary Performance of Esa Musical Genre, West African Journal of Musical Arts Education/ West African Association of Musical Arts Education
    Vol.2:1 Pages: 150-159
    
    
28. Idamoyibo, Atinuke Adenike (2012) The Textual Analysis of Yoruba Esa Chant in Contemporary Christian Worship, African Musicology Online/Kenya: Association of African Musicologists
    https://africanmusicology.online Vol.6 Pages: 25-36
    
    
29. Idamoyibo, Atinuke Adenike (2011) Musical Arts and Indigenous Knowledge System: Reproducing the Ijala Musical Genre in Yoruba Land, Research Journal of Applied Sciences/ Pakistan Medwell Publishers
    http://www.medwelljournals.com/article/?=rjasci.2011 Vol.6:4 Pages: 244-250
    
    
30. Idamoyibo, Atinuke Adenike (2011) Esa Music and the Struggle for Relevance in the 21st Century. , Abraka Studies in African Arts II/ Faculty of Arts, DELSU, Abraka
    Vol. Pages: 159-169
    
    
31. Idamoyibo, Atinuke Adenike (2010) Music and Social Dynamism: The Indigenous Modernity of Ijala Genre, International Journal of Arts and Humanities/Accra Candid Publishers
    Vol.2:1 Pages: 162-173
    
    
32. Idamoyibo, Atinuke Adenike (2009) The Musical Components in the Crafting of the Pilgrimage, Awka Journal of Research in Music and the Arts/Department of Music, Nnamdi Azikiwe University, Awka
    Vol.6 Pages: 36-45
    
    
33. Idamoyibo, Atinuke Adenike (2009) Musical Arts Education and Opportunity for Entrepreneurship in Nigeria., Readings in General Studies: Nigerian Peoples, Culture and Entrepreneurial Skills/ Delta State University Press
    Vol. Pages: 279-292
    
    
34. Idamoyibo, Atinuke Adenike (2008) Esa Music and the Eloquence of the Bata Ensemble, The Performer, Ilorin Journal of the Performing Arts/ Performing and Creative Arts Department, University of Ilorin
    Vol.10 Pages: 36-47
    
    
35. Idamoyibo, Atinuke Adenike (2008) Memory Archive through the Sustenance of Yoruba Musical Culture, Ekpoma Journal of Theatre and Media Arts/ Department of Theatre and Media Arts, Ekpoma
    Vol.2:1&2 Pages: 17-25
    
    
36. Idamoyibo, Atinuke Adenike (2008) African Traditional Music: The Study of Ijala Musical Performance, Awka Journal of Research in Music and the Arts/Department of Music, Nnamdi Azikiwe University, Awka
    Vol.5 Pages: 43-56
    
    
37. Idamoyibo, Atinuke Adenike (2008) Parental Factor in Early Musical Exposure as an Advantage for Ideal Musical Development of Children in Nigeria, Journal of the Association of Nigerian Musicologists (JANIM) /Association of Nigerian Musicologists
    https://africaneditors.org. Vol. Pages: 129-138
    
    
38. Idamoyibo, Atinuke Adenike (2007) Adaptation of Indigenous Ijala Music Type in Contemporary Christian Worship in Yoruba Land, Abraka Humanities Review/Faculty of Arts, DELSU, Abraka
    Vol.2:1&2 Pages: 13-26
    
    
39. Idamoyibo, Atinuke Adenike (2007) Tradition Vs Modernity: The Ensemble Organization of the New Ijala Genre, Ela: Journal of African Studies/ Institute of African Studies, Ladoke Akintola University, Ado- Ekiti
    Vol.21&22 Pages: 24-52
    
    
40. Idamoyibo, Atinuke Adenike (2007) The Musical and Aesthetic Formation of Ijala Music in Yoruba Land, Awka Journal of Research in Music and the Arts/Department of Music, Nnamdi Azikiwe University, Awka
    Vol.5 Pages: 43-56
    
    
41. Idamoyibo, Atinuke Adenike (2006) Dialogue in Music: A Study of the Hunters Genre in Yoruba Land, Awka Journal of Research in Music and the Arts/Department of Music, Nnamdi Azikiwe University, Awka
    Vol.3 Pages: 79-89
    
    
42. Idamoyibo, Atinuke Adenike (2005) The New Ijala Genre in Christian Worship, African Notes/ Institute of African Studies, University of Ibadan
    https://networks.h-net.org Vol.29:1&2 Pages: 153-164
    
    
43. Idamoyibo, Atinuke Adenike (2003) Musicological Views of an Artiste in Africa, Nigerian Music Review/ Department of Music, Obafemi Awolowo University, Ile-Ife
    Vol.4 Pages: 65-72
    
    
44. Idamoyibo, Atinuke Adenike (2003) Dynamics of African Dance, Humanities Review Journal/ Humanities Research Forum
    Vol.3:1 Pages: 67-73
    
    
45. Idamoyibo, Atinuke Adenike (2002) Rhythm: A Dimension of Understanding Creative African Drumming, Music in Africa: Facts and Illusions/ Stirling Horden Publishers Nig. Ltd
    Vol. Pages: 73-81
    
    
46. Idamoyibo, Atinuke Adenike (2001) The Distinction Between Western and African Dances, Africa: Our Times and Culture/ Ibadan Okputuru Publishers
    Vol. Pages: 221-231
    
    
47. Idamoyibo, Atinuke Adenike (2000) Investigating Music through Oral Tradition: A method , Castalia Ibadan Journal of Multicultural Studies/ Castalia Publishers
    Vol.4:1 Pages: 119-124